Performance—Beating the Bounds ⦗New York, 2025⦘
Performance—How Many Foot ⦗New York, 2025⦘
Exhibition design—Egyptian Funerary Gallery ⦗New York, 2026⦘
Exhibition design—Monet & Venice ⦗New York, 2025⦘
Exhibition design—Christian Marclay: Doors ⦗New York, 2025⦘
Exhibition design—Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies ⦗New York, 2024⦘
Exhibition design—Hiroshige’s 100 Famous Views of Edo feat. Takashi Murakami ⦗New York, 2024⦘
Exhibition design—Spike Lee: Creative Sources ⦗New York, 2023⦘
Exhibition design—Movement in Every Direction: Legacies of the Great Migration ⦗New York, 2023⦘
Exhibition design—Social Mobility, Envisioning Bodies in Motion ⦗Beijing, 2019⦘↗
Exhibition design—Post Zang Thumb Tuuum, Art Life Politics: Italia 1918-1943⦗Milan, 2019⦘↗
Ceramics—Windows Series ⦗New York, 2022⦘
Ceramics—Three-legged Stool ⦗New York, 2022⦘
Ceramics—Soft Structures 02 ⦗New York, 2022⦘
Ceramics—Soft Structures 01 ⦗New York, 2021⦘
Ceramics—Cloacked ⦗New York, 2022⦘
Ceramics—Loaf Chair ⦗New York, 2020⦘
Ceramics—Modular Series ⦗New York, 2019-⦘
Book—Temperatures vol.2: Kyong Kim ⦗New York, 2021⦘
Exhibition—Verify in field ⦗New York, 2022⦘
Exhibition—Temperatures vol.2: Kyong Kim ⦗New York, 2021⦘
Object—Pattern on Pattern Suit ⦗New York, 2020⦘
Object—Uneventful ⦗New York, Seoul, 2020⦘
Object—Shelf O ⦗New York, 2018⦘
Office—180 Varick Street⦗New York, 2019, with 2x4⦘
Environments—Youtube Campus San Bruno⦗California, 2022,with 2x4⦘
Retail—Samsung Olympic Pavilion ⦗Gangneung, 2018, with 2x4⦘↗
Retail—Milk Bar Rotterdam ⦗Rotterdam, 2012⦘
Wayfinding—Istanbul Modern⦗Istanbul, 2022, with 2x4⦘
Wayfinding—Google Landings⦗California, 2019-2022, with 2x4⦘
Apartment—Hicks Street Studio ⦗New York, 2025⦘
Art Space—Hyundai Motor Studio ⦗Beijing, 2019, with 2x4⦘↗
Art Space—A/D/O ⦗New York, 2016, with nArchitects⦘
Community Space—Rio Community Space ⦗Rio De Janeiro, 2015⦘
Community Space—Test Site Delftsplein ⦗Rotterdam, 2012⦘
Game—Stack Stack⦗New York, 2016⦘
Map—Underworld: from Uljiro to Dongdaemun⦗Seoul, 2013⦘
Map—World Atlas of Design ⦗Seoul, 2008⦘
Research—Future of the Museum in China ⦗Beijing, 2013⦘
Installation—Yakdae Apartment ⦗Seoul, 2009⦘
Interview—Nomadic Practice: Interview with Kyong Park ⦗Den Haag, 2011⦘
Web—Studio X-File ⦗New York, 2014⦘
Web—Korean Artist Archive ⦗Seoul, 2011⦘
Web—Korean Pavilion, Venice Biennale ⦗Seoul, 2011⦘
Web—Space Hamilton ⦗Seoul, 2011⦘
Web—Most Beautiful Books in Korea ⦗Seoul, 2011⦘
Identity—Fixer ⦗New York, 2014⦘
Identity—Studio Bahk ⦗Seoul, 2011⦘
Identity—Swishing Night ⦗Seoul, 2011⦘
Book design—Event Log ⦗New York, 2014⦘
Book design—I see the sea the sea sees me ⦗Seoul, 2010⦘
Essay—Ah Daejeon Expo ⦗Seoul, 2010⦘
Essay—Invisible City, Underworld City ⦗Seoul, 2010⦘
Essay—Hidden Catch: Satellite Pictures of Seoul ⦗Seoul, 2010⦘
Essay—Something for Something ⦗Seoul, 2009⦘
Performance—How Many Foot ⦗New York, 2025⦘
Exhibition design—Egyptian Funerary Gallery ⦗New York, 2026⦘
Exhibition design—Monet & Venice ⦗New York, 2025⦘
Exhibition design—Christian Marclay: Doors ⦗New York, 2025⦘
Exhibition design—Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies ⦗New York, 2024⦘
Exhibition design—Hiroshige’s 100 Famous Views of Edo feat. Takashi Murakami ⦗New York, 2024⦘
Exhibition design—Spike Lee: Creative Sources ⦗New York, 2023⦘
Exhibition design—Movement in Every Direction: Legacies of the Great Migration ⦗New York, 2023⦘
Exhibition design—Social Mobility, Envisioning Bodies in Motion ⦗Beijing, 2019⦘↗
Exhibition design—Post Zang Thumb Tuuum, Art Life Politics: Italia 1918-1943⦗Milan, 2019⦘↗
Ceramics—Windows Series ⦗New York, 2022⦘
Ceramics—Three-legged Stool ⦗New York, 2022⦘
Ceramics—Soft Structures 02 ⦗New York, 2022⦘
Ceramics—Soft Structures 01 ⦗New York, 2021⦘
Ceramics—Cloacked ⦗New York, 2022⦘
Ceramics—Loaf Chair ⦗New York, 2020⦘
Ceramics—Modular Series ⦗New York, 2019-⦘
Book—Temperatures vol.2: Kyong Kim ⦗New York, 2021⦘
Exhibition—Verify in field ⦗New York, 2022⦘
Exhibition—Temperatures vol.2: Kyong Kim ⦗New York, 2021⦘
Object—Pattern on Pattern Suit ⦗New York, 2020⦘
Object—Uneventful ⦗New York, Seoul, 2020⦘
Object—Shelf O ⦗New York, 2018⦘
Office—180 Varick Street⦗New York, 2019, with 2x4⦘
Environments—Youtube Campus San Bruno⦗California, 2022,with 2x4⦘
Retail—Samsung Olympic Pavilion ⦗Gangneung, 2018, with 2x4⦘↗
Retail—Milk Bar Rotterdam ⦗Rotterdam, 2012⦘
Wayfinding—Istanbul Modern⦗Istanbul, 2022, with 2x4⦘
Wayfinding—Google Landings⦗California, 2019-2022, with 2x4⦘
Apartment—Hicks Street Studio ⦗New York, 2025⦘
Art Space—Hyundai Motor Studio ⦗Beijing, 2019, with 2x4⦘↗
Art Space—A/D/O ⦗New York, 2016, with nArchitects⦘
Community Space—Rio Community Space ⦗Rio De Janeiro, 2015⦘
Community Space—Test Site Delftsplein ⦗Rotterdam, 2012⦘
Game—Stack Stack⦗New York, 2016⦘
Map—Underworld: from Uljiro to Dongdaemun⦗Seoul, 2013⦘
Map—World Atlas of Design ⦗Seoul, 2008⦘
Research—Future of the Museum in China ⦗Beijing, 2013⦘
Installation—Yakdae Apartment ⦗Seoul, 2009⦘
Interview—Nomadic Practice: Interview with Kyong Park ⦗Den Haag, 2011⦘
Web—Studio X-File ⦗New York, 2014⦘
Web—Korean Artist Archive ⦗Seoul, 2011⦘
Web—Korean Pavilion, Venice Biennale ⦗Seoul, 2011⦘
Web—Space Hamilton ⦗Seoul, 2011⦘
Web—Most Beautiful Books in Korea ⦗Seoul, 2011⦘
Identity—Fixer ⦗New York, 2014⦘
Identity—Studio Bahk ⦗Seoul, 2011⦘
Identity—Swishing Night ⦗Seoul, 2011⦘
Book design—Event Log ⦗New York, 2014⦘
Book design—I see the sea the sea sees me ⦗Seoul, 2010⦘
Essay—Ah Daejeon Expo ⦗Seoul, 2010⦘
Essay—Invisible City, Underworld City ⦗Seoul, 2010⦘
Essay—Hidden Catch: Satellite Pictures of Seoul ⦗Seoul, 2010⦘
Essay—Something for Something ⦗Seoul, 2009⦘